It feels crass to even point this out in a country so afflicted by poverty (which we admittedly have only gotten a small glimpse of), but the preservationist in me wants to cry at how much of the city's architectural legacy is being allowed to waste away, despite the fact that there's very little of it left to even preserve. Yesterday we saw a bit of that in another wander through Barranco, the nearby neighborhood that has turned into a sort of Limaean version of Soho (if you can remember when SoHo was first repopulated), a bohemian artists' ghetto that has become a trendy place to live but which still has far too many beautiful but abandoned or unmaintained 19th century buildings. One that I became fascinated by was this mansion, when I saw from afar how many of its roof tiles were gone:
Today we saw things even worse in terms of destruction of a legacy. We hired a wonderful guide named Carlos Morelli, who had been recommended by the local branch of the Explorers Club, for an extended tour of Lima Centro, the old center of the city founded by Pizarro as his Ciudad de los Reyes. From an historic preservation perspective you can only be appalled by what has happened, and is happening, to what was once the greatest city in the Americas (remember that Lima was founded nearly a century before Peter Minuet bought Manhattan from the Indians), despite that fact that as long ago as 1988 it was listed as a UNESCO World Heritage site.
Carlos, a Lima native and architect by training, moved back to his birthplace several years ago after spending 13 years working in around Venice, Italy, and now runs these tours as a side business while he works to produce a documentary film about the completely out-of-control development patterns and architectural history of a city he describes without any rancor as a "complete mess." We saw everything from a gorgeous 1872 exposition park that includes an art museum designed by Gustave Eiffel, to the oldest surving structure in the city - a bridge over the Rimac River - to the presidential palace, to churches, to the second largest Chinatown in South America, to a home that has remained in the same family since the days of the conquistadors, to a neighborhood famous for its denizens' ability to forge any document you want.
The image above is a beautiful if frayed street by day, but Carlos said you wouldn't want to be caught here after dark. Beginning in the 40s, Centro suffered from a slow-moving version of the "white flight" seen in American cities during and after the 60s, as the wealthier families that had once inhabited the downtown moved to the communities like Miraflores and San Isidro where we've spent most of our time while we've been here. So much of the downtown has been given over to the poor, with many of the old colonial mansions subdivided into slum apartments. (Shortly after I took this photo, we were accosted verbally from afar by a pair of street toughs after they were through wolf-whistling at the woman you see walking toward the camera on the left. We ignored them the way we used to ignore that sort of stuff in Jersey City, and Carlos only smiled thinly at them in passing while hurrying us onto the next block.) I'm not sure my photos will do justice to the more-falling down aspects of what we saw in Centro, in part because the areas where I could have documented it were the ones where my camera felt least secure.